Montréal · Since 2012

Violin, piano
& synthesizers.

Geneviève Liboiron and Daniel Áñez get together to form Wapiti Ensemble in 2012, a violin/piano & synthesizers duo dedicated to experimental and contemporary music.

Listen to Wapiti

01 / Biography

Wapiti
Ensemble

The duo’s first concert featured Morton Feldman’s “For John Cage” and was performed in Bogota, Colombia. In Montreal, Wapiti has performed in concerts produced by Innovations in Concert and at the Chapelle Historique du Bon-Pasteur, as guests in the 2011–2014 composer in residence’s series, Maxime McKinley.

In 2014 they toured South America, playing concerts in Chile, Argentina, Uruguay and Bolivia.

In the summer 2015, Wapiti did an artistic residence in Mexico City, performing 4 concerts, and premiering 9 new works by Mexican composers.

Violin

Geneviève
Liboiron

Geneviève Liboiron has been a scholarship student at the Orford Arts Center and the Domaine Forget Academy in Quebec, as well as the Banff Center for the Arts in Alberta and the Kayaleh Academy in Switzerland.

Full biography+

Developing her passion and curiosity for contemporary music, she joined Ensemble Paramirabo in 2012, doing a 6-week tour in 5 Canadian provinces in 2013, playing more than 20 concerts, called “Le Sacre de Paramirabo”, including an arrangement of Stravinsky’s “Rite of Spring”.

In the summer of 2013 she was guest artist at the Montreal Contemporary Music Lab (LMCML). She also participated in a second Canadian tour in collaboration with the Toronto-based Thin Edge New Music Collective, playing the concert entitled “Raging Against The Machine”, and playing in 4 Canadian Provinces.

Geneviève is also the violinist of La Machine Ensemble, with whom they won the OPUS Prize 2012 for the best concert in the category “Musique actuelle/électroacoustique”, for their concert of Fausto Romitelli’s “Professor Bad Trip”.

Geneviève plays frequently with various ensembles in Montreal, including Ensemble Allogène, Ensemble Punktum, Arkea, amongst many. In 2014 she was chosen by the Bozzini Quartet for the second edition of their “Performer’s Kitchen”, where she played in duo with Clemens Merkel.

Geneviève teaches violin and music theory at the Monteregie Conservatoire and Regina Assumpta College. Geneviève is a graduate student from the University of Montreal, where she studied her undergraduate and her Master’s degree in violin performance with Anne Robert and Laurence Kayaleh.

Piano · Synthesizers

Daniel
Áñez

Colombian pianist born in Cartagena, Colombia, 1982, Daniel Áñez started his piano studies at 9 with teachers Liliana Hernández and Mauricio Villa.

Full biography+

In 2005 he received his Musician Pianist with Honors undergraduate diploma from the Los Andes University, Bogota, where he studied with Ignacio Pacheco and Antonio Carbonell. In 2009 he finished his Master’s Degree in piano performance at the University of Montreal, where he studied with Paul Stewart.

He’s also a doctorate piano graduate from the University of Montreal, where he studied with Paul Stewart and Lorraine Vaillancourt.

He was selected for the Cycle of Concerts for Young Performers in 2002 by the Bank of the Republic of Colombia. He won the first prize in the 3rd “Maria Clara Cullell” International Piano Competition in San José, Costa Rica, in 2004. In 2005 he won an Honorary Diploma in the National Piano Competition in the Industrial University of Santander, Bucaramanga, Colombia.

As a concert pianist, he has played solo recitals in Colombia, Costa Rica, Uruguay, Argentina, Mexico and Canada. Daniel Áñez specializes in contemporary repertoire. He is part of Ensamble CG in Bogota, as well as Ensemble Allogène, Wapiti, Ciao Rhino and Ensemble Paramirabo in Montreal.

He has participated in the premiere of works by Colombian composers Rodolfo Acosta R., Daniel Leguizamón, Camilo Méndez, and Ana María Romano, as well as premieres by Canadian composers André Hamel, Adam Basanta, Cassandra Miller and Michael Larocque, amongst others. He specializes in Latin-American repertoire.

02 / Complete recordings

Listen

Sixteen recordings from the Wapiti Ensemble SoundCloud archive. Open any title to read the original notes and listen.

Full SoundCloud profile ↗
2022 · 15:12

Terri Hron — Cardiac (2017)

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Composer: Terri Hron · Title: Cardiac · Year of composition: 2017

Wapiti Ensemble: Geneviève Liboiron, violin; Daniel Áñez, piano.

Recorded at Teatro Auditorium, Mar del Plata, Argentina, August 18, 2017.

Open on SoundCloud ↗
2021 · 13:54

Nicolaus A. Huber — with ego amplitudes (2016)

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Composer: Nicolaus A. Huber · Title: with ego amplitudes · Year of composition: 2016

Wapiti Ensemble: Geneviève Liboiron, violin; Daniel Áñez, piano.

Recorded at The Music Gallery, Toronto, November 17, 2016.

Open on SoundCloud ↗
2017 · 12:25

Brian Cherney — Gan Eden (1983)

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Performance of Brian Cherney (1942) — Gan Eden (1983) for violin and piano.

Wapiti Ensemble: Geneviève Liboiron, violin; Daniel Áñez, piano.

Recorded at Sala Blas Galindo of the CENART, Mexico D.F., July 4, 2015.

Open on SoundCloud ↗
2015 · 09:49

Erika Vega — Panda Bear (2015)

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Wapiti Ensemble: Geneviève Liboiron, violin; Daniel Áñez, piano.

Open on SoundCloud ↗
2015 · 12:31

José Julio Díaz Infante — Piolín (2015)

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Wapiti Ensemble: Geneviève Liboiron, violin; Daniel Áñez, piano.

Open on SoundCloud ↗
2015 · 08:14

Andrea Chamizo — Ensayo sobre lo aleatorio (2015)

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Wapiti Ensemble: Geneviève Liboiron, violin; Daniel Áñez, piano.

Open on SoundCloud ↗
2015 · 14:33

Ernesto Illescas-Peláez — Simplex Implex (2015)

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Wapiti Ensemble: Geneviève Liboiron, violin; Daniel Áñez, piano.

Open on SoundCloud ↗
2015 · 06:28

Morton Feldman — Extension 1 (1951)

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Wapiti Ensemble: Geneviève Liboiron, violin; Daniel Áñez, piano.

Open on SoundCloud ↗
2015 · 14:14

Morton Feldman — Spring of Chosroes (1977)

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Wapiti Ensemble: Geneviève Liboiron, violin; Daniel Áñez, piano.

Open on SoundCloud ↗
2015 · 04:20

Morton Feldman — Vertical Thoughts 2 (1963)

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Wapiti Ensemble: Geneviève Liboiron, violin; Daniel Áñez, piano.

Open on SoundCloud ↗
2015 · 04:52

Morton Feldman — Projection 4 (1951)

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Wapiti Ensemble: Geneviève Liboiron, violin; Daniel Áñez, piano.

Open on SoundCloud ↗
2015 · 01:48

Morton Feldman — Piece for Violin and Piano (1950)

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Wapiti Ensemble: Geneviève Liboiron, violin; Daniel Áñez, piano.

Open on SoundCloud ↗
2015 · 06:17

Juan de Dios Magdaleno — Memento Mori (2008)

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Wapiti Ensemble: Geneviève Liboiron, violin; Daniel Áñez, piano.

Open on SoundCloud ↗
2015 · 14:15

Georgina Derbez — Fantasía (1997)

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Wapiti Ensemble: Geneviève Liboiron, violin; Daniel Áñez, piano.

Open on SoundCloud ↗
2014 · 15:32

alcides lanza — ekphonesis III (1969)

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Solomiya Moroz + Wapiti Ensemble (Geneviève Liboiron, Daniel Áñez) perform alcides lanza’s piece ekphonesis III (1969) for indeterminate wind, strings and/or keyboard instruments.

Wapiti Ensemble: Geneviève Liboiron, violin; Daniel Áñez, piano.

Open on SoundCloud ↗
2014 · 08:58

Beat Furrer — Lied (1993)

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Wapiti Ensemble: Geneviève Liboiron, violin; Daniel Áñez, piano.

Open on SoundCloud ↗

03 / Complete archive

Past
concerts

Repertoire, venues, collaborators, descriptions and original links preserved from the Wapiti Ensemble website.

Urane’s “Glacier” album launch

Sala Rossa (4848 St-Laurent), Montréal

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Participation in the launch of Urane’s album launch.

Space improvisation

Tentacules 2019

Sala Rossa (4848 St-Laurent), Montréal

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In collaboration with

  • Noam Bierstone — percussions

Program

  • Zihua Tan — Murmurs in Binary (2019) for violin, piano, percussions, electronics and video

L’hypothèse Caïn by Michel Gonneville

Agora Hydro-Québec (175 President-Kennedy Avenue), Montréal

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Participation as an ensemble in the premiere of Michel Gonneville’s opera “L’hypothèse Caïn”. Presentation in the SMCQ’s Festival Montréal / Nouvelles Musiques MNM.

Il faut tuer le cinéma — Part 1

No Hay Banda #9 · Sala Rossa (4848 St-Laurent), Montréal

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Artistic collaboration with media artist Patrick St-Denis

Patrick St-Denis & Wapiti: Il faut tuer le cinéma — Part 1 (2018)

Open Ears Festival: Shifting States

The Registry Theatre, Kitchener, Ontario

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In collaboration with

  • Scapegoat: Joshua Hyde — saxophones
  • Noam Bierstone — percussions

Program

  • Anthony Tan — An Overall Augmented Sense of Well-Being (2017, rev. 2018) for amplified quartet and electronics
  • Mauricio Pauly — The Difference is the Buildings Between Us #2 (2018) for amplified mixed quartet and electronics

Plateaux: Voyage du Río de la Plata à l’Altiplano

M.A.I. (Montréal, Arts Interculturels), 3860 Jeanne-Mance Street, Montréal

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In collaboration with

  • Émilie Girard-Charest — cello
  • Jorge Vásquez Salvagno — tarkas
  • Andrés Salas — video installations

Program

  • Marcos Franciosi — Líneas y puntos sobre aguas oscuras (2008–13) for solo cello
  • Cecilia Arditto — Música invisible para cello (2008, rev. 2018) for solo cello
  • Jorge Vásquez Salvagno and Émilie Girard-Charest — Tara - Q’Iwa (2017) for cello and tarkas
  • Cergio Prudencio — Cantos de Tierra (1990), video installation by Andrés Salas accompanied by the recording of the OEIN (Orquesta Experimental de Instrumentos Nativos de Bolivia)
  • Carlos Gutierrez — li q’u (2015) for violin and piano
  • Canela Palacios — Bisón bisón (2017) for violin and piano
  • Alberto Villalpando — Mística No. 6 (1994) for violin, cello and piano

Illuminations: Brian Cherney at Seventy-Five

Tanna Schulich Hall, McGill University

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Program

  • Brian Cherney — Gan Eden (1983) for violin and piano

Argentine tour

Mar del Plata · Santa Fe · Rosario · Buenos Aires

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Mar del Plata: Teatro Auditorium — Sala Astor Piazzolla — August 18, 9PM

Santa Fe: Salle de concerts de l’Institut Supérieur de Musique — August 23, 8PM

Rosario: Salle de concerts de l’École Municipale de Musique — August 24, 8PM

Buenos Aires: Participation in the monographic concert of Natalia Solomonoff, organized by the National Library Mariano Moreno in their “Biblioteca Contemporánea” cycle. Auditorium Jorge Luis Borges, 5PM.

This concert series was possible thanks to the support of the Conseil des Arts et Lettres du Québec. Terri Hron’s “Cardiac” was commissioned thanks to the support of the Canada Council for the Arts.

Program

  • Nicolaus A. Huber — with ego amplitudes (2016), for violin and piano
  • Carlos Gutiérrez — li’qu (2015) for violin and piano
  • Graciela Paraskevaídis — contra la olvidación (1998) for solo piano
  • Mariano Etkin — cifuncho (1992) for solo violin
  • Juan Luquese — Inexorablemente labrando sus diamantes (2015, rev. 2017) for violin and piano
  • Diana Rud — Caminos de agua (2011) for violin and piano
  • Terri Hron — Cardiac (2017) for violin, piano and fixed support — world premiere
  • Natalia Solomonoff — Raunächte (2009–2010, rev. 2015) for soprano, flute, clarinet, piano, violin, cello and electroacoustic support
  • Natalia Solomonoff — Calizas (1991) for flute, violin and soprano

Montréal / Nouvelles Musiques — 8th edition: Insulaire

Montréal

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Participation in the 8th edition of the Montréal / Nouvelles Musiques Festival, by the SMCQ. Concert produced by Codes d’Accès.

Program

  • Zihua Tan — (t)here (2017) for amplified violin and piano
  • Iannis Xenakis — Dikhthas (1979) for violin and piano

Emergents Series: Volur / Wapiti

Toronto Music Gallery

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Program

  • Nicolaus A. Huber — with ego amplitudes (2016), for violin and piano
  • Carlos Gutiérrez — li’qu (2015) for violin and piano
  • Graciela Paraskevaídis — viva voce (2015) for piano
  • Morton Feldman — Spring of Chosroes (1977) for violin and piano

Recorridos por la música de cámara

Sala de Conciertos, Biblioteca Luis Ángel Arango, Calle 11 No. 4-14, Bogotá

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Program

  • Carlos Gutiérrez — li q’u (2015) for violin and piano — commissioned by Wapiti
  • Cergio Prudencio — Solo (1994)
  • Graciela Paraskevaídis — viva voce (2015) for piano
  • Juan Luquese — Inexorablemente labrando sus diamantes (2015) for violin and piano
  • Melissa Vargas Franco — Ningún nombre es verdadero (2014) for piano — commissioned by Daniel Áñez
  • Mariano Etkin — Cifuncho (1992) for solo violin
  • Morton Feldman — Spring of Chosroes (1977) for violin and piano
  • * World premieres

What is Voina?

Sala Rossa, 4848 St-Laurent, Montréal

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This concert was produced with the support of the Canada Council for the Arts and the SOCAN Foundation. The commission of “Toposition(s)#6” was supported by the Canada Council for the Arts.

Program

  • Georgy Dorokhov — Under Construction (2007)
  • Gabriel Dufour-Laperrière — Clinamen II (Lignes pointées) (2014, rev. 2015)
  • Galina Ustvolskaya — Duet for violin and piano (1964)
  • Charles-Antoine Fréchette — Toposition(s)#6 (2015) — world premiere

Encuentros Musicales México–Québec

Sala Blas Galindo, CENART, Ciudad de México

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Program

  • Juan de Dios Magdaleno — Memento Mori (2008)
  • Víctor Ibarra — Flug (2008, rev. 2015)
  • Gabriel Dufour-Laperrière — Clinamen II (lignes pointées) (2014, rev. 2015)
  • Georgina Derbez — Fantasía (1997)
  • Rodrigo Valdez Hermoso — Undead Violin (2015) — world premiere
  • Marcela Rodríguez — Regretz (2015) — world premiere

7 Universos Sonoros

Sala Manuel M. Ponce, Palacio de Bellas Artes, Ciudad de México

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Program

  • David Hernández-Ramos — Un bout de vie (2008) — world premiere
  • Ernesto Illescas Peláez — Simplex Implex (2015) — world premiere
  • Andrea Chamizo — Ensayo sobre lo aleatorio (2015) — world premiere
  • Rodrigo Valdez Hermoso — Undead Piano (2015) — world premiere
  • José Julio Díaz Infante — Piolín (2015) — world premiere
  • Erika Vega — Panda Bear (2015) — world premiere
  • Liliana Zamora — Sphecius (2015) — world premiere

Morton Feldman — For John Cage (1982)

Sala Manuel M. Ponce, Palacio de Bellas Artes, Ciudad de México

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Program

  • Morton Feldman — For John Cage (1982)

Música contemporánea del continente americano

Sala Blas Galindo, CENART, Ciudad de México

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Program

  • Brian Cherney — Gan Eden (1983)
  • Mariano Etkin — Cifuncho (1992) for solo violin
  • Graciela Paraskevaídis — un par (2015) for solo piano
  • Mario Lavista — Diálogos (1974)
  • Morton Feldman — Piece for violin and piano (1950)
  • Morton Feldman — Projection 4 (1951)
  • Morton Feldman — Extension 1 (1951)
  • Morton Feldman — Vertical Thoughts 2 (1963)
  • Morton Feldman — Spring of Chosroes (1977)

Morton Feldman: Complete works for violin and piano, 2nd part

Sala Rossa, 4848 St-Laurent, Montréal

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Program

  • Brian Cherney — Gan Eden (1983)
  • Mariano Etkin — Cifuncho (1992) for solo violin
  • Keiko Devaux — Conversation I: Reconciliation (2015) — world premiere
  • alcides lanza — plectros III (1971)
  • Morton Feldman — Piece for violin and piano (1950)
  • Morton Feldman — Projection 4 (1951)
  • Morton Feldman — Extension 1 (1951)
  • Morton Feldman — Vertical Thoughts 2 (1963)
  • Morton Feldman — Spring of Chosroes (1977)

Montréal / Vienna: with Solomiya Moroz

Chapelle historique du Bon-Pasteur, 100 Sherbrooke Est, Montréal

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Program

  • Johannes Maria Staud — Toward a Brighter Hue (2004) for solo violin
  • Georg Friedrich Haas — Finale (2004) for solo flute
  • Peter Ablinger — Amtssee bei Regen (2008) for 3 to 8 instruments
  • Maxime McKinley — An Exemple of Making Anything Signify Anything (2011) for solo piano
  • Zosha Di Castri — Akkord I (2012) for flute, piano and electronics
  • Beat Furrer — Lied (1984) for violin and piano
  • alcides lanza — ekphonesis III (1969) for wind, keyboard and string instruments and tape

Bruissements du Cercle #6: with Adam Basanta

Espace Cercle Carré, 36 Queen, Montréal

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Program

  • Daniel Leguizamón — 74/10 (2009–2010), diagram for undetermined instrumentation and live electronics

Innovations en concert

Chapelle historique du Bon-Pasteur, 100 Sherbrooke Est, Montréal

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Program

  • Morton Feldman — For John Cage (1982)

Morton Feldman — For John Cage (1982)

Sala Teresa Cuervo Borda, Museo Nacional de Colombia, Bogotá

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Program

  • Morton Feldman — For John Cage (1982)