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NEXT CONCERTS

AUGUST 15, 2019 ​
URANE'S "GLACIER" ALBUM LAUNCH 
SALLA ROSSA (4848 ST-LAURENT) MONTREAL

AUG

15

Participation in the launch of Urane's album launch. 

Space improvisation

PREVIOUS CONCERTS

FEBRUARY 19, 20 AND 22, 2019 ​
L'HYPOTHÈSE CAÏN BY MICHEL GONNEVILLE 
AGORA HYDRO-QUÉBEC (175 PRESIDENT-KENNEDY AVENUE) MONTREAL

Participation as an ensemble in the premiere of Michel Gonneville's opera "L'hypothèse Caïn". Presentation in the SMCQ's Festival Montréal / Nouvelles Musiques MNM

SEPTEMBER 24 , 2018 ​
IL FAUT TUER LE CINÉMA - PART 1 
NO HAY BANDA #9
SALA ROSSA (4848 ST-LAURENT) MONTREAL 

Artistic collaboration with media artist Patrick St-Denis

Patrick St-Denis & Wapiti : Il faut tuer le cinéma - Part 1 (2018)

APRIL 14, 2019 ​
TENTACULES 2019 
SALA ROSSA (4848 ST-LAURENT) MONTRÉAL

Zihua Tan - Murmurs in Binary (2019) for violin, piano, percussions, electronics and video

     with the collaboration of Noam Bierstone (percussions)

APRIL 14, 2019 ​
TENTACULES 2019 
SALA ROSSA (4848 ST-LAURENT) MONTRÉAL

Zihua Tan - Murmurs in Binary (2019) for violin, piano, percussions, electronics and video

     with the collaboration of Noam Bierstone (percussions)

FEBRUARY 19, 20 AND 22, 2019 ​
L'HYPOTHÈSE CAÏN BY MICHEL GONNEVILLE 
AGORA HYDRO-QUÉBEC (175 PRESIDENT-KENNEDY AVENUE) MONTREAL

Participation as an ensemble in the premiere of Michel Gonneville's opera "L'hypothèse Caïn". Presentation in the SMCQ's Festival Montréal / Nouvelles Musiques MNM

MAI 2 , 2018 ​
OPEN EARS FESTIVAL : SHIFTING STATES
THE REGISTRY THEATRE, KITCHENER, ONTARIO 

IN COLLABORATION WITH:

scapegoat: Joshua Hyde: Saxophones

                    Noam Bierstone : Percussions

PROGRAMME:

Anthony Tan : An Overall Augmented Sense of Well-Being (2017, rev. 2018) for amplified quartet and electronics

Mauricio Pauly : The Difference is the Buildings Between Us #2 (2018) for amplified mixed quartet and electronics

SEPTEMBER 24 , 2018 ​
IL FAUT TUER LE CINÉMA - PART 1 
NO HAY BANDA #9
SALA ROSSA (4848 ST-LAURENT) MONTREAL 

Artistic collaboration with media artist Patrick St-Denis

Patrick St-Denis & Wapiti : Il faut tuer le cinéma - Part 1 (2018)

MAI 2 , 2018 ​
OPEN EARS FESTIVAL : SHIFTING STATES
THE REGISTRY THEATRE, KITCHENER, ONTARIO 

IN COLLABORATION WITH:

scapegoat: Joshua Hyde: Saxophones

                    Noam Bierstone : Percussions

PROGRAMME:

Anthony Tan : An Overall Augmented Sense of Well-Being (2017, rev. 2018) for amplified quartet and electronics

Mauricio Pauly : The Difference is the Buildings Between Us #2 (2018) for amplified mixed quartet and electronics

SEPTEMBER 24 , 2018 ​
IL FAUT TUER LE CINÉMA - PART 1 
NO HAY BANDA #9
SALA ROSSA (4848 ST-LAURENT) MONTREAL 

Artistic collaboration with media artist Patrick St-Denis

Patrick St-Denis & Wapiti : Il faut tuer le cinéma - Part 1 (2018)

MAI 2 , 2018 ​
OPEN EARS FESTIVAL : SHIFTING STATES
THE REGISTRY THEATRE, KITCHENER, ONTARIO 

IN COLLABORATION WITH:

scapegoat: Joshua Hyde: Saxophones

                    Noam Bierstone : Percussions

PROGRAMME:

Anthony Tan : An Overall Augmented Sense of Well-Being (2017, rev. 2018) for amplified quartet and electronics

Mauricio Pauly : The Difference is the Buildings Between Us #2 (2018) for amplified mixed quartet and electronics

MAI 2 , 2018 ​
OPEN EARS FESTIVAL : SHIFTING STATES
THE REGISTRY THEATRE, KITCHENER, ONTARIO 

IN COLLABORATION WITH:

scapegoat: Joshua Hyde: Saxophones

                    Noam Bierstone : Percussions

PROGRAMME:

Anthony Tan : An Overall Augmented Sense of Well-Being (2017, rev. 2018) for amplified quartet and electronics

Mauricio Pauly : The Difference is the Buildings Between Us #2 (2018) for amplified mixed quartet and electronics

FEBRUARY 2 AND 3 , 2018 ​
PLATEAUX: VOYAGE DU RÍO DE LA PLATA À L'ALTIPLANO 
M.A.I. (MONTRÉAL, ARTS INTERCULTURELS)
3860 JEANNE-MANCE STREET, MONTREAL 

IN COLLABORATION WITH:

Émilie Girard-Charest: cello

Jorge Vásquez Salvagno: tarkas

and

Andrés Salas: Video Installations

PROGRAMME:

Marcos Franciosi : Líneas y puntos sobre aguas oscuras (2008-13) for solo cello

Cecilia Arditto: Música invisible para cello (2008, rev. 2018) for solo cello

Jorge Vásquez Salvagno and Émilie Girard-Charest : Tara - Q'Iwa (2017) for cello and tarkas

Cergio Prudencio : Cantos de Tierra (1990) Video Installation by Andrés Salas accompanied by the recording of the OEIN (Orquesta Experimental de Instrumentos Nativos de Bolivia)

Carlos Gutierrez : li q'u (2015) for violin and piano

Canela Palacios : Bisón bisón (2017) for violin and piano

Alberto Villalpando : Mística No. 6 (1994) for violin, cello and piano

OCTOBER 27, 2017 ​
ILLUMINATIONS: BRIAN CHERNEY AT SEVENTY-FIVE

Gan Eden (1983) for violin and piano - Brian Cherney

Performed at the Tanna Schulich Hall, McGill University

AUGUST 18 TO SEPTEMBER 4, 2017 ​
ARGENTINE TOUR: MAR DEL PLATA, SANTA FE, ROSARIO, BUENOS AIRES

Mar del Plata: Teatro Auditorium - Sala Astor Piazzolla - August 18, 9PM

Santa Fe: Salle de concerts de l'Institut Supérieur de Musique - August 23, 8PM

Rosario: Salle de concerts de l'École Municipale de Musique - August 24 , 8PM

PROGRAM:

with ego amplitudes (2016), for violin and piano - Nicolaus A. Huber  (Germany, 1939)

li'qu (2015) for violin and piano - Carlos Gutiérrez (Bolivia, 1982)

contra la olvidación (1998) for solo piano piano seul - Graciela Paraskevaídis (Argentina/Uruguay, 1940-2017)

cifuncho (1992) for solo violin - Mariano Etkin (Argentina, 1943-2016)

Inexorablemente labrando sus diamantes (2015, rev. 2017) for violin and piano - Juan Luquese (Argentina, 1978)

Caminos de agua (2011) for violin and piano - Diana Rud (Argentina, 1940)

Cardiac (2017) for violin, piano and fixed support - Terri Hron (Canada, 1977) *world premier

*******

Buenos Aires: 

Participation in the monographic concert of Natalia Solomonoff, organized by the National Library Mariano Moreno in their "Biblioteca Contemporánea" cycle.

Auditorium Jorge Luis Borges, 5PM

 

PROGRAM:

Raunächte (2009-2010, rev. 2015) for soprano, flute, clarinet, piano, violin, cello and electroacoustic support 

Calizas (1991) for flute, violin and soprano.

This concert series is possible thanks to the support of the Conseil des Artes et Lettres du Quebec. 

Terri Hron's "Cardiac" was commissioned thanks to the support of the Canada Council for the Arts

FEBRUARY 28TH, 2017 ​
MONTREAL/NEW MUSICS / 8TH EDITION
INSULAIRE

Participation in the 8th edition of the Montreal / Nouvelles Musiques Festival, by the SMCQ. Concert produced by Codes d'Accès.

PROGRAM:

Zihua Tan (1980) - (t)here (2017) for amplified violin and piano 

Iannis Xenakis (1922-2001) - Dikhthas (1979) for violin and piano

NOVEMBER 17TH 2016
EMERGENTS SERIES : VOLUR / WAPITI
TORONTO MUSIC GALLERY
 

PROGRAM:

with ego amplitudes (2016), for violin and piano - Nicolaus A. Huber  (Germany, 1939)

li'qu (2015) for violin and piano - Carlos Gutiérrez (Bolivia, 1982)

viva voce (2015)*, for piano - Graciela Paraskevaídis (Argentina-Uruguay, 1940)

Spring of Chosroes (1977) for violin and piano - (USA, 1926-1987)

 

 

 

 

APRIL 24, 2016, 11AM
RECORRIDOS POR LA MÚSICA DE CÁMARA
SALA DE CONCIERTOS, BIBLIOTECA LUIS ÁNGEL ARANGO
CALLE 11 NO. 4-14, BOGOTÁ
 
 

Program:

 

Carlos Gutiérrez (Bolivia, 1982) – li q’u (2015)* for violin and piano. Obra encargada por Wapiti

 

Cergio Prudencio (Bolivia, 1955) – Solo (1994) 

 

Graciela Paraskevaídis (Argentina, 1940) – viva voce (2015)* for piano. 

 

Juan Luquese (Argentina, 1978) – Inexorablemente labrando sus diamantes (2015)* for violin and piano.

 

Melissa Vargas Franco (Colombia, 1980) – Ningún nombre es verdadero (2014)* for piano. Encargo de Daniel Áñez. 

 

Mariano Etkin (Argentina, 1943) – Cifuncho (1992) for violin

 

Morton Feldman (Estados Unidos, 1926-1987) – Spring of Chosroes (1977) for violin and piano

 

* World premieres

FEBRUARY 29, 2016
WHAT IS VOINA?
SALA ROSSA, 4848 ST-LAURENT
 

PROGRAM:

Georgy Dorokhov (1984-2013) - Under Construction (2007)

Gabriel Dufour-Laperrière (1986) - Clinamen II (Lignes pointées) (2014, rev. 2015)

Galina Ustvolskaya (1919-2006) - Duet for violin and piano (1964)

Charles-Antoine Fréchette (1981) - Toposition(s)#6 (2015)*

 

* World premiere

 

This concert was produced with the support of the Canada Council for the Arts and the SOCAN Foundation.


The commission of the work "Toposition(s)#6" was supported by the Canada Council for the Arts

 

 

SEPTEMBER 12, 2015
ENCUENTROS MUSICALES MÉXICO-QUEBEC
SALA BLAS GALINDO, CENART, CIUDAD DE MÉXICO
 

PROGRAM:

Juan de Dios Magdaleno (1984) - Memento Mori (2008)

Víctor Ibarra (1978) - Flug (2008, rev. 2015)

Gabriel Dufour-Laperrière (1986 ) - Clinamen II (lignes pointées) (2014, rev. 2015)

Georgina Derbez (1968) - Fantasía (1997)

Rodrigo Valdez Hermoso (1978) - Undead Violin (2015)*

Marcela Rodríguez (1951) - Regretz (2015)*

AUGUST 28, 2015
7 UNIVERSOS SONOROS
SALA MANUEL M. PONCE, PALACIO DE BELLAS ARTES, CIUDAD DE MÉXICO
 

PROGRAM:

David Hernández-Ramos (1975) - Un bout de vie (2008)*

Ernesto Illescas Peláez (1977) - Simplex Implex (2015)*

Andrea Chamizo (1988) - Ensayo sobre lo aleatorio (2015)*

Rodrigo Valdez Hermoso (1978) - Undead Piano (2015)*

José Julio Díaz Infante (1973) - Piolín (2015)*

Erika Vega (1987) - Panda Bear (2015)*

Liliana Zamora (1987)- Sphecius (2015)*

JULY 11, 2015
MORTON FELDMAN - FOR JOHN CAGE (1982)
SALA MANUEL M. PONCE, PALACIO DE BELLAS ARTES, CIUDAD DE MÉXICO
 

PROGRAM:

Morton Feldman (1926- 1987) - For John Cage (1982) 

JULY 4, 2015
MÚSICA CONTEMPORÁNEA DEL CONTINENTE AMERICANO
SALA BLAS GALINDO, CENART, CIUDAD DE MÉXICO
 

PROGRAM:

Brian Cherney (1942) - Gan Eden (1983)

Mariano Etkin (1943) - Cifuncho (1992) for solo violin

Graciela Paraskevaídis (1940) - un par (2015) for solo piano

Mario Lavista (1943) - Diálogos (1974)

Morton Feldman (1926-1987): Piece for violin and piano (1950)

                                                        Projection 4 (1951)

                                                        Extension 1 (1951)

                                                        Vertical Thoughts 2 (1963)

                                                        Spring of Chosroes (1977)

MAY 11, 2015
MORTON FELDMAN: COMPLETE WORKS FOR VIOLIN AND PIANO, 2nd PART
SALA ROSSA, 4848 ST-LAURENT, MONTREAL
 

PROGRAM:

Brian Cherney (1942) - Gan Eden (1983)

Mariano Etkin (1943) - Cifuncho (1992) for solo violin

Keiko Devaux (1982) - Conversation I : Reconciliation (2015)*

alcides lanza (1929) - plectros III (1971)

Morton Feldman (1926-1987): Piece for violin and piano (1950)

                                                        Projection 4 (1951)

                                                        Extension 1 (1951)

                                                        Vertical Thoughts 2 (1963)

                                                        Spring of Chosroes (1977)

MARCH 14, 2014
MONTRÉAL/VIENNA : WITH SOLOMIYA MOROZ 
CHAPELLE HISTORIQUE DU BON-PASTEUR, 100 SHERBROOKE EST, MONTREAL 
 

PROGRAM:

Johannes Maria Staud (1974) - Toward a Brighter Hue (2004) for solo violin

Georg Friedrich Haas (1953) - Finale (2004) for solo flute 

Peter Ablinger (1959) - Amtssee bei Regen (2008) for 3 to 8 instruments

Maxime McKinley (1979) - An Exemple of Making Anything Signify Anything (2011) for solo piano

Zosha Di Castri (1985) - Akkord I (2012) for flute, piano and electronics

Beat Furrer (1954) - Lied (1984) for violin and piano

alcides lanza (1929) - ekphonesis III (1969) for wind, keyboard and string instruments and tape

NOVEMBER 7, 2013
BRUISSEMENTS DU CERCLE #6 : WITH ADAM BASANTA
ESPACE CERCLE CARRÉ, 36 QUEEN, MONTREAL
 

PROGRAM:

Daniel Leguizamón (1979) - 74/10 (2009-2010) diagram for undetermined instrumentation and live electronics

OCTOBER 12, 2013
INNOVATIONS EN CONCERT
MORTON FELDMAN: FOR JOHN CAGE (1982)
CHAPELLE HISTORIQUE DU BON-PASTEUR, 100 SHERBROOKE EST, MONTRÉAL
 

PROGRAM:

Morton Feldman (1926-1987) - For John Cage (1982)

PROGRAM:

Morton Feldman (1926-1987) - For John Cage (1982)

DECEMBER 19, 2012
MORTON FELDMAN: FOR JOHN CAGE (1982)
SALA TERESA CUERVO BORDA, MUSEO NACIONAL DE COLOMBIA, BOGOTÁ