NEXT CONCERTS
AUGUST 15, 2019
URANE'S "GLACIER" ALBUM LAUNCH
SALLA ROSSA (4848 ST-LAURENT) MONTREAL
AUG
15
Participation in the launch of Urane's album launch.
Space improvisation
PREVIOUS CONCERTS
FEBRUARY 19, 20 AND 22, 2019
L'HYPOTHÈSE CAÏN BY MICHEL GONNEVILLE
AGORA HYDRO-QUÉBEC (175 PRESIDENT-KENNEDY AVENUE) MONTREAL
Participation as an ensemble in the premiere of Michel Gonneville's opera "L'hypothèse Caïn". Presentation in the SMCQ's Festival Montréal / Nouvelles Musiques MNM
SEPTEMBER 24 , 2018
IL FAUT TUER LE CINÉMA - PART 1
NO HAY BANDA #9
SALA ROSSA (4848 ST-LAURENT) MONTREAL
Artistic collaboration with media artist Patrick St-Denis
Patrick St-Denis & Wapiti : Il faut tuer le cinéma - Part 1 (2018)
APRIL 14, 2019
TENTACULES 2019
SALA ROSSA (4848 ST-LAURENT) MONTRÉAL
Zihua Tan - Murmurs in Binary (2019) for violin, piano, percussions, electronics and video
with the collaboration of Noam Bierstone (percussions)
APRIL 14, 2019
TENTACULES 2019
SALA ROSSA (4848 ST-LAURENT) MONTRÉAL
Zihua Tan - Murmurs in Binary (2019) for violin, piano, percussions, electronics and video
with the collaboration of Noam Bierstone (percussions)
FEBRUARY 19, 20 AND 22, 2019
L'HYPOTHÈSE CAÏN BY MICHEL GONNEVILLE
AGORA HYDRO-QUÉBEC (175 PRESIDENT-KENNEDY AVENUE) MONTREAL
Participation as an ensemble in the premiere of Michel Gonneville's opera "L'hypothèse Caïn". Presentation in the SMCQ's Festival Montréal / Nouvelles Musiques MNM
MAI 2 , 2018
OPEN EARS FESTIVAL : SHIFTING STATES
THE REGISTRY THEATRE, KITCHENER, ONTARIO
IN COLLABORATION WITH:
scapegoat: Joshua Hyde: Saxophones
Noam Bierstone : Percussions
PROGRAMME:
Anthony Tan : An Overall Augmented Sense of Well-Being (2017, rev. 2018) for amplified quartet and electronics
Mauricio Pauly : The Difference is the Buildings Between Us #2 (2018) for amplified mixed quartet and electronics
SEPTEMBER 24 , 2018
IL FAUT TUER LE CINÉMA - PART 1
NO HAY BANDA #9
SALA ROSSA (4848 ST-LAURENT) MONTREAL
Artistic collaboration with media artist Patrick St-Denis
Patrick St-Denis & Wapiti : Il faut tuer le cinéma - Part 1 (2018)
MAI 2 , 2018
OPEN EARS FESTIVAL : SHIFTING STATES
THE REGISTRY THEATRE, KITCHENER, ONTARIO
IN COLLABORATION WITH:
scapegoat: Joshua Hyde: Saxophones
Noam Bierstone : Percussions
PROGRAMME:
Anthony Tan : An Overall Augmented Sense of Well-Being (2017, rev. 2018) for amplified quartet and electronics
Mauricio Pauly : The Difference is the Buildings Between Us #2 (2018) for amplified mixed quartet and electronics
SEPTEMBER 24 , 2018
IL FAUT TUER LE CINÉMA - PART 1
NO HAY BANDA #9
SALA ROSSA (4848 ST-LAURENT) MONTREAL
Artistic collaboration with media artist Patrick St-Denis
Patrick St-Denis & Wapiti : Il faut tuer le cinéma - Part 1 (2018)
MAI 2 , 2018
OPEN EARS FESTIVAL : SHIFTING STATES
THE REGISTRY THEATRE, KITCHENER, ONTARIO
IN COLLABORATION WITH:
scapegoat: Joshua Hyde: Saxophones
Noam Bierstone : Percussions
PROGRAMME:
Anthony Tan : An Overall Augmented Sense of Well-Being (2017, rev. 2018) for amplified quartet and electronics
Mauricio Pauly : The Difference is the Buildings Between Us #2 (2018) for amplified mixed quartet and electronics
MAI 2 , 2018
OPEN EARS FESTIVAL : SHIFTING STATES
THE REGISTRY THEATRE, KITCHENER, ONTARIO
IN COLLABORATION WITH:
scapegoat: Joshua Hyde: Saxophones
Noam Bierstone : Percussions
PROGRAMME:
Anthony Tan : An Overall Augmented Sense of Well-Being (2017, rev. 2018) for amplified quartet and electronics
Mauricio Pauly : The Difference is the Buildings Between Us #2 (2018) for amplified mixed quartet and electronics
FEBRUARY 2 AND 3 , 2018
PLATEAUX: VOYAGE DU RÍO DE LA PLATA À L'ALTIPLANO
M.A.I. (MONTRÉAL, ARTS INTERCULTURELS)
3860 JEANNE-MANCE STREET, MONTREAL
IN COLLABORATION WITH:
Émilie Girard-Charest: cello
Jorge Vásquez Salvagno: tarkas
and
Andrés Salas: Video Installations
PROGRAMME:
Marcos Franciosi : Líneas y puntos sobre aguas oscuras (2008-13) for solo cello
Cecilia Arditto: Música invisible para cello (2008, rev. 2018) for solo cello
Jorge Vásquez Salvagno and Émilie Girard-Charest : Tara - Q'Iwa (2017) for cello and tarkas
Cergio Prudencio : Cantos de Tierra (1990) Video Installation by Andrés Salas accompanied by the recording of the OEIN (Orquesta Experimental de Instrumentos Nativos de Bolivia)
Carlos Gutierrez : li q'u (2015) for violin and piano
Canela Palacios : Bisón bisón (2017) for violin and piano
Alberto Villalpando : Mística No. 6 (1994) for violin, cello and piano
OCTOBER 27, 2017
ILLUMINATIONS: BRIAN CHERNEY AT SEVENTY-FIVE
Gan Eden (1983) for violin and piano - Brian Cherney
Performed at the Tanna Schulich Hall, McGill University
AUGUST 18 TO SEPTEMBER 4, 2017
ARGENTINE TOUR: MAR DEL PLATA, SANTA FE, ROSARIO, BUENOS AIRES
Mar del Plata: Teatro Auditorium - Sala Astor Piazzolla - August 18, 9PM
Santa Fe: Salle de concerts de l'Institut Supérieur de Musique - August 23, 8PM
Rosario: Salle de concerts de l'École Municipale de Musique - August 24 , 8PM
PROGRAM:
with ego amplitudes (2016), for violin and piano - Nicolaus A. Huber (Germany, 1939)
li'qu (2015) for violin and piano - Carlos Gutiérrez (Bolivia, 1982)
contra la olvidación (1998) for solo piano piano seul - Graciela Paraskevaídis (Argentina/Uruguay, 1940-2017)
cifuncho (1992) for solo violin - Mariano Etkin (Argentina, 1943-2016)
Inexorablemente labrando sus diamantes (2015, rev. 2017) for violin and piano - Juan Luquese (Argentina, 1978)
Caminos de agua (2011) for violin and piano - Diana Rud (Argentina, 1940)
Cardiac (2017) for violin, piano and fixed support - Terri Hron (Canada, 1977) *world premier
*******
Buenos Aires:
Participation in the monographic concert of Natalia Solomonoff, organized by the National Library Mariano Moreno in their "Biblioteca Contemporánea" cycle.
Auditorium Jorge Luis Borges, 5PM
PROGRAM:
Raunächte (2009-2010, rev. 2015) for soprano, flute, clarinet, piano, violin, cello and electroacoustic support
Calizas (1991) for flute, violin and soprano.
This concert series is possible thanks to the support of the Conseil des Artes et Lettres du Quebec.
Terri Hron's "Cardiac" was commissioned thanks to the support of the Canada Council for the Arts
FEBRUARY 28TH, 2017
MONTREAL/NEW MUSICS / 8TH EDITION
INSULAIRE
Participation in the 8th edition of the Montreal / Nouvelles Musiques Festival, by the SMCQ. Concert produced by Codes d'Accès.
PROGRAM:
Zihua Tan (1980) - (t)here (2017) for amplified violin and piano
Iannis Xenakis (1922-2001) - Dikhthas (1979) for violin and piano
NOVEMBER 17TH 2016
EMERGENTS SERIES : VOLUR / WAPITI
TORONTO MUSIC GALLERY
PROGRAM:
with ego amplitudes (2016), for violin and piano - Nicolaus A. Huber (Germany, 1939)
li'qu (2015) for violin and piano - Carlos Gutiérrez (Bolivia, 1982)
viva voce (2015)*, for piano - Graciela Paraskevaídis (Argentina-Uruguay, 1940)
Spring of Chosroes (1977) for violin and piano - (USA, 1926-1987)
APRIL 24, 2016, 11AM
RECORRIDOS POR LA MÚSICA DE CÁMARA
SALA DE CONCIERTOS, BIBLIOTECA LUIS ÁNGEL ARANGO
CALLE 11 NO. 4-14, BOGOTÁ
Program:
Carlos Gutiérrez (Bolivia, 1982) – li q’u (2015)* for violin and piano. Obra encargada por Wapiti
Cergio Prudencio (Bolivia, 1955) – Solo (1994)
Graciela Paraskevaídis (Argentina, 1940) – viva voce (2015)* for piano.
Juan Luquese (Argentina, 1978) – Inexorablemente labrando sus diamantes (2015)* for violin and piano.
Melissa Vargas Franco (Colombia, 1980) – Ningún nombre es verdadero (2014)* for piano. Encargo de Daniel Áñez.
Mariano Etkin (Argentina, 1943) – Cifuncho (1992) for violin
Morton Feldman (Estados Unidos, 1926-1987) – Spring of Chosroes (1977) for violin and piano
* World premieres
FEBRUARY 29, 2016
WHAT IS VOINA?
SALA ROSSA, 4848 ST-LAURENT
PROGRAM:
Georgy Dorokhov (1984-2013) - Under Construction (2007)
Gabriel Dufour-Laperrière (1986) - Clinamen II (Lignes pointées) (2014, rev. 2015)
Galina Ustvolskaya (1919-2006) - Duet for violin and piano (1964)
Charles-Antoine Fréchette (1981) - Toposition(s)#6 (2015)*
* World premiere
This concert was produced with the support of the Canada Council for the Arts and the SOCAN Foundation.
The commission of the work "Toposition(s)#6" was supported by the Canada Council for the Arts
SEPTEMBER 12, 2015
ENCUENTROS MUSICALES MÉXICO-QUEBEC
SALA BLAS GALINDO, CENART, CIUDAD DE MÉXICO
PROGRAM:
Juan de Dios Magdaleno (1984) - Memento Mori (2008)
Víctor Ibarra (1978) - Flug (2008, rev. 2015)
Gabriel Dufour-Laperrière (1986 ) - Clinamen II (lignes pointées) (2014, rev. 2015)
Georgina Derbez (1968) - Fantasía (1997)
Rodrigo Valdez Hermoso (1978) - Undead Violin (2015)*
Marcela Rodríguez (1951) - Regretz (2015)*
AUGUST 28, 2015
7 UNIVERSOS SONOROS
SALA MANUEL M. PONCE, PALACIO DE BELLAS ARTES, CIUDAD DE MÉXICO
PROGRAM:
David Hernández-Ramos (1975) - Un bout de vie (2008)*
Ernesto Illescas Peláez (1977) - Simplex Implex (2015)*
Andrea Chamizo (1988) - Ensayo sobre lo aleatorio (2015)*
Rodrigo Valdez Hermoso (1978) - Undead Piano (2015)*
José Julio Díaz Infante (1973) - Piolín (2015)*
Erika Vega (1987) - Panda Bear (2015)*
Liliana Zamora (1987)- Sphecius (2015)*
JULY 11, 2015
MORTON FELDMAN - FOR JOHN CAGE (1982)
SALA MANUEL M. PONCE, PALACIO DE BELLAS ARTES, CIUDAD DE MÉXICO
PROGRAM:
Morton Feldman (1926- 1987) - For John Cage (1982)
JULY 4, 2015
MÚSICA CONTEMPORÁNEA DEL CONTINENTE AMERICANO
SALA BLAS GALINDO, CENART, CIUDAD DE MÉXICO
PROGRAM:
Brian Cherney (1942) - Gan Eden (1983)
Mariano Etkin (1943) - Cifuncho (1992) for solo violin
Graciela Paraskevaídis (1940) - un par (2015) for solo piano
Mario Lavista (1943) - Diálogos (1974)
Morton Feldman (1926-1987): Piece for violin and piano (1950)
Projection 4 (1951)
Extension 1 (1951)
Vertical Thoughts 2 (1963)
Spring of Chosroes (1977)
MAY 11, 2015
MORTON FELDMAN: COMPLETE WORKS FOR VIOLIN AND PIANO, 2nd PART
SALA ROSSA, 4848 ST-LAURENT, MONTREAL
PROGRAM:
Brian Cherney (1942) - Gan Eden (1983)
Mariano Etkin (1943) - Cifuncho (1992) for solo violin
Keiko Devaux (1982) - Conversation I : Reconciliation (2015)*
alcides lanza (1929) - plectros III (1971)
Morton Feldman (1926-1987): Piece for violin and piano (1950)
Projection 4 (1951)
Extension 1 (1951)
Vertical Thoughts 2 (1963)
Spring of Chosroes (1977)
MARCH 14, 2014
MONTRÉAL/VIENNA : WITH SOLOMIYA MOROZ
CHAPELLE HISTORIQUE DU BON-PASTEUR, 100 SHERBROOKE EST, MONTREAL
PROGRAM:
Johannes Maria Staud (1974) - Toward a Brighter Hue (2004) for solo violin
Georg Friedrich Haas (1953) - Finale (2004) for solo flute
Peter Ablinger (1959) - Amtssee bei Regen (2008) for 3 to 8 instruments
Maxime McKinley (1979) - An Exemple of Making Anything Signify Anything (2011) for solo piano
Zosha Di Castri (1985) - Akkord I (2012) for flute, piano and electronics
Beat Furrer (1954) - Lied (1984) for violin and piano
alcides lanza (1929) - ekphonesis III (1969) for wind, keyboard and string instruments and tape
NOVEMBER 7, 2013
BRUISSEMENTS DU CERCLE #6 : WITH ADAM BASANTA
ESPACE CERCLE CARRÉ, 36 QUEEN, MONTREAL
PROGRAM:
Daniel Leguizamón (1979) - 74/10 (2009-2010) diagram for undetermined instrumentation and live electronics
OCTOBER 12, 2013
INNOVATIONS EN CONCERT
MORTON FELDMAN: FOR JOHN CAGE (1982)
CHAPELLE HISTORIQUE DU BON-PASTEUR, 100 SHERBROOKE EST, MONTRÉAL
PROGRAM:
Morton Feldman (1926-1987) - For John Cage (1982)
PROGRAM:
Morton Feldman (1926-1987) - For John Cage (1982)